In my monotype print series titled "Remnants," I deconstruct printed marketing materials from cultural institutions and museums to create works that explicate the ways in which we consume culture and produce meaning. Through the printing process, often impressions of words and images from the original materials are transferred to the prints, leaving a residue. As these materials fall apart through the printing process, it creates a singular and unique impression on paper, a remnant. As a contemporary artist of color and a visual anthropologist, I am particularly interested in what is left behind in these remnants, exposing what is seen and unseen.